Tag Archives: Orwocolor

Film test Svema DS – 4 / Свема ДС -4, beautiful pastel colors of the Soviet film

2 Feb

Svema DS 4 – a test

click image for larger view, huge scans are of course available.

Soviet Svema Russian DS-4 pears and red wine
Soviet Svema Russian DS-4 pears and red wine

I am going to copy what I wrote in the flickr post although I will add a few more images of the packaging.

Here is the look of Svema DS 4 scan (as is) – developed in related Orwocolor chemistry.

The experiment began in an improvised manner, I made a Communist salad (meaning I made it without any intent of selling it or leasing it to other human beings who can’t afford it at a usurious rate) which was something of a deficient  salade niçoise to begin with  that suffered a Mongol or a Germanic invasion or, worse,  was liberated and democratized . Messy. The salad  was deficient as I had no capers, no olives, and no anchovies to put into as I was supposed to. Non tuna either. Total flop. But there were enough colors on the pallet to test this ancient film.

Communist salad on Svema DS 4 a Communist crime

Communist salad on Svema DS 4 a Communist crime

This Soviet film (I won’t call it Russian or worse Ukrainian as the only films produced there nowadays are of pornographic variety) was much abused, physically and verbally, in the by gone age when it was made (available to the ungrateful masses which had since then defected to digital en masse).

Svema DS 4, a frontal view

Svema DS 4, a frontal view

A test of Svema DS-4 film, made in the glorious Soviet Union.
A blog post comes soon as a follow up to its relative the Orwocolor.

This was the first occasion I shot old Soviet negative film – not that I remember that I had any before.
I only have seven 120 rolls in my possession, all at different places, but perhaps would buy a few “bricks” as I happen to like the film quite a lot though not as much as Orwocolor NC19 – though Svema DS-4 could be used for different artistic purposes. It is an unusual film.

another view of the Svema DS4 packaging

another view of the Svema DS4 packaging

As I know in Russia before Russia,  Svema color film was considered somewhat inferior (though it was cheapest, not that you get what you pay for, you usually don’t)

DS-4 was made from late 1950s until 1990 without changes.
Mine expired in 1992 / made in 1989/1990 – likely the very last batch ever made
The film cost 95 kopecks per roll  (that is less than a rouble) versus – if you were lucky to get – Orwocolor that cost four or five times as much.

Свема ДС 4 / Svema DS 4

Свема ДС 4 / Svema DS 4

It is essentially the first generation Agfacolor but re-developed in the Soviet Union to work with locally produced dyes.

It has had a 1950s predecessor, a Russian version of the Agfacolor transformed to a negative film use (the original proto Agfacolor was a  transparency film), that species was called DS-2 but I never saw a specimen alive (in fact I never saw an empty box). .

colors are not natural
not saturated
a bit water color-ish or water color-ly look
watery is the word

Experiment conducted  – Kiev 60 camera
Developed in Orwocolor chemistry (described here <a href=”https://photoroobit.wordpress.com/2012/01/26/orwocolor-nc-19-an-historic-test-sacrifice-of-a-historical-film/&#8221; rel=”nofollow”>photoroobit.wordpress.com/2012/01/26/orwocolor-nc-19-an-h…</a>)

Svema DS 4 atop of a camera used in the test

Svema DS 4 and a Kiev 60

Scanned as Agfa Optima – actual scan is 6000 x 6000, and I reduce it for the web but not to 1000, so the actual scan can well be seen.

A good scan
Software – Lasersoft light version that came together with my cheapo Canon scanner.


ORWOCOLOR NC 19 – a historic test of a historical film

26 Jan


Old tangerines, well past their prime

Old tangerines, well past their prime

Orwocolor was made by ORWO at Wolfen in Germany (in the part that was free of American imperialism and Nazism) and is related to Orwochrom and original Agfacolor which was also developed at Wolfen. Wolfen, now a place abandoned and more or less vandalized. I think that destruction of ORWO after Anschlüß was deliberate. Ironically ORWO might have outlived Agfa in film format.

A block of ORWO color film

A block of ORWO color NC19 film

I ran a field “test” on ORWOchrom already and in it I wrote about the origins of this color process.

Below are scans from a roll of Absolutely no post processing was done on the first three. No curves tweaking. No colors added. No burn or dodge. Just actual scan with no processing. This is how it came out. I would assume that’s how it would print in a lab. I have all those images in my flickr stream but I deleted the vegetable supernova (the last photo) because it is so dissonant.

Orwocolor package - the film canister made of metal (!) , instructions insert, the film itself

ORWO color package - the film canister made of metal (!) , instructions insert, the film itself

Scanned as Agfa Optima (Agfa being closest relative and of course the scanner does not have an option for Orwocolor).

German Orwocolor NC19 is a negative film. Although ORWO made   C-41 film in the 135 format before it was destroyed by the enemy the NC19  ctually uses old Agfa and own ORWO technology (I mixed the chemicals and developed the film according to ORWO’s formula). This film was made in 1987 or 1988 and expired in 1991 (that’s the expiration date).

Box from Orwocolor NC 19

Box from Orwocolor NC 19

The film was amazing, it is astounding film – and it is easy and forgiving to use, has enormous latitude and apparently – if this picture can serve as evidence.

Three Apples. I’ll be posting a few more stills – I shot only one roll of this fabulous film.

Three apples, a still life in ORWOCOLOR

Three apples, a still life in ORWOCOLOR

The actual scan is 84 mb, and the detail is just dramatic. These are tiny scans for the web (click on the image to see it larger but they are still very small).

ORWO Orwocolor NC 19
Chinese close-up lens 1 to 2
Rollei SLX
self-made chemical solutions (raw chemicals bought from Calbe Chemie, in its past an ORWO enterprise).

Results above

A little hooliganism with Orwocolor, vegetable are rioting

or Vegetable supernova. I might delete it later.

Vegetable super nova

Vegetable super nova

Film test: Orwochrom UT – 18 – at the ruins of Falkenstein Castle (Burgruine Falkenstein)

30 Nov

Color or Colour Reversal or Reversible Film

DIN 18 / ISO 50

Made in Germany (German Democratic Republic)

Estimated year of manufacture 1981

Expired 1985

Used in 2011

Camera used – Rollei SLX


Orwochrome UT 18

I shot (in cold blood) a trial roll of Orwochrom UT-18. UT doesn’t stand for Unfinished Thought, of which I have  many, but for Umkehrtageslicht or Reversible, Daylight. The roll out of this batch expired in 1985 and was better preserved that the totally antique stuff from the 1970s which is however still useable for the purpose of faking art.
Film was developed strictly per instructions from the Orwo’s Holy Book (Psalm C 9165) though one heresy slipped through though – the first developer was intended for Fomachrom (a competing Agfacolor-derived film stock that was made at the time in the Czech and Slovak Socialist Republic),  and not the Orwo’s original.  The difference between the two is subtle – whilst Orwo uses phenidone and hydroquinone its Slavic sibling employs a mentol-hydroquinone combination.  I had to use the latter because I did not have phenidone for the former.  I developed the film together with (well, pretty much dead) Soviet Co-32D  (Tso-32D) – that entry describes the process perhaps in a greater detail.

Orwochrom UT 18

Orwochrom UT 18 120 format

I like the results. I wouldn’t have guessed off hand that those photographs were taken in the year 2011. The look is aged and reminds me of  delectable, original Agfacolor.
The setting.
The setting is Falkenstein in Lower Austria’s Weinviertel. A smallish though magic town of some 470 odd inhabitants that has one of Lower Austria’s most beautiful wine cellar streets.  In the Middle Ages Falkenstein was the site of a commercial court that dealt with disputes of all sorts with a geographically impressive extent of jurisdiction stretching from Vienna to Brünn (Czech name Brno).

Falkenstein has its own castle or rather ruins of one (Burgruine Falkenstein).  Fortified castle Falkenstein dates from the 11th century or from the time of original settlement of this part of Lower Austria – by primarily settlers from Bavaria – who also became the ancestors of the main group in the neighboring Southern Moravia until “democratic” Czech State under Benesch (Beneš), with American blessing, ethnically cleansed so-called German population of Czechoslovakia (mainly of Bohemia, Sudetenland and Southern Moravia) in a genocidal campaign of terror, murder and expulsion that was something even by the somewhat low humanitarian standards of the 1940s.  The Southern Moravia dialect was similar to that spoken in Lower Austria’s Weinviertel and was rooted in the Bavarian (Bayerisch), which is though nominally called German is all but.

Ruins of Falkenstein Castle (Burgruine Falkenstein) at Dusk, Orwochrom UT-18

Ruins of Falkenstein Castle (Burgruine Falkenstein) at Dusk, Orwochrom UT-18

The Lords of Falkenstein were vassals of the Babenbergs, the Ducal dynasty that founded Austria (as the term Ostaricchi became later transformed into Österreich) and predecessors of the House of Habsburg.  In the late Middle Ages the Burg Falkenstein was a site of knightly tournaments, pageants,  and feasts and it was probably very picturesque.  During the time of Reformation the Burg was used a prison for heretics,  mainly for Anabaptists.  I took a course in the history of Reformation at the University of Rhode Island under late professor Daniel and I still remember the Anabaptism  part of the course.  Only after I moved to Nikolsburg (now Czech Mikulov) I realized that I landed in what once was the hotbed of Anabaptist heresy and to an extent the place where North American evangelical sects (indirectly of Baptists, directly Mennonites)  spiritually originate. This is roughly the area from Lundenburg (Břeclav) to Nicolsburg (then Nikolsburg was spelled as Nicolsburg) and further deeper into Moravia and border lands of the Lower Austria. Nikolsburg was not a center of Anabaptism per se, but a refuge of sort – Adam von Dietrichstein, the owner of Nicolsburg (Mikulov) and then his son Franz allowed Anabaptists to settle in town because of their economic activities.  When the time was up, the trap closed.  Leaders of Anabaptists were  brought to Falkenstein castle, and this story deserves an entry on its own as well.  Anabaptists were chained in the dungeon of the castle – and there are still marks of iron in the cave that served as dungeon underneath the castle ruins where Anabaptists were imprisoned and were they sang their hymns before being dragged out and then marched on foot to Trieste, 600 km away. In Trieste, now Italy, Anabaptists were used as galley slaves, then a death sentence.  Austrian Emperors were waging wars – wars of defense really – against Turkey and Habsburg fleet under Admiral Andrea Doria was based at Trieste.  The galley based fleet was essential for the war effort. Two things that came to my mind there. Anabaptists were pacifists and did not fight even in self-defense, the sentence of forced labor in the navy must have been worse than death for them. The second thought was that although few people realize Peter I transplanted Italian and Greek warfare techniques, from the Adriatic to the Baltic,  andthose were based upoon a strategy of fighting galley fleets operating in fog covered bays and lagoons in Eastern Baltic . There is Galernaja or Galley Streets in St. Petersburg where Mediterranean and Adriatic style galleys were built during Great Northern War.

Path to the entrance to the Ruins of Falkenstein Castle (Burgruine Falkenstein) at Dusk, Orwochrom UT-18

Path to the entrance to the Ruins of Falkenstein Castle (Burgruine Falkenstein) at Dusk, Orwochrom UT-18

In the Northern War this Mediterranean technology and strategy ultimately defeated Swedish navy in the eastern parts of the gulf of Finland and then allowed Russian operations almost without opposition even along coast of Sweden itself.  It was about asymmetrical warfare at its best (or worst if you were at the receiving end) and its essence was that of breaking all rules,  something that kids get punished form but an art form in itself that Peter I, also known as the Great, became  great master of.   This somehow linked Falkenstein in Lower Austria to St. Petersburg on the Baltic.  As did the next stage in its history.  In the Thirty Years War civilized part of Europe became the target or rather the victim of what amounted to Swedish invasion which probably was worse than anything this part of the Continent had seen from the times of the Huns. The geographic scale of Swedish aggression was vast – from Novgorod in Russia to Vienna in the midst of Lower Austria and almost up to Swiss border; it was barbarous and savage, it was multinational as Sweden conscripted people from its old and newly acquired colonies like Finland, and it was semi-religious. Like the 2oth century was marked by the wars of ideology this was the era of the wars of religion – the idea of crusading Protestant power (in that respect both Nazi Germany and today’s United States meet the model of largely Protestant and ideological murderous empire bound on overseas contest, though of course Sweden in the 1600s was neither as bad nor as savage nor as mindessly murderous nor ideologically-motivated as the 20th century United States while the Nazi Germany, though evil enough, was not explicitly Protestant though it was in many respects,   at least in what was Austria before the Anschlüß,  distinctly anti-Catholic).  The Swedes (or rather a multinational Protestant horde under  Swedish guidance) destroyed almost all  castles and burgs in Southern Moravia and Lower Austria. In the immediate vicinity I can think of and drive daily around are  Nicolsburg itself (looted, rebuilt, though the Kozí hrádek / Ziegenburg was not restored in any way), the castle at Staatz (which I suspect was at one point owned by the Mozart’s employer or a member of that family),  Dívčí hrád  (Maidenburg – look here, the Lower Austrian or Bavarian word  for  Maiden is exactly the same as in English  and not at all like Hochdeutsch words  Jungfrau or perhaps Mädchen though there are of course Maid and Magd and even Mädel like in the Bund Deutscher Mädel , then  the smaller fortified castle Rassenstein, also known  Waisenstein (rather cheerily named Orphan’s Stone) in Klentnitz (Sirotčí hrádek in Klentice).   Falkenstein was also besieged and ransacked but it was apparently not destroyed.   When I first saw the ruins from afar a few years back I dated the destruction of the fortified Burg at the Thirty Years War , early 1600s that is, but I was wrong.  Swedes just looted it and proceeded onward with their pillaging business.  The castle was destroyed in peace time.  It was literally demolished. Its owners used it as a commercial stone quarry in the 18th century.   Living in fortified castle was no longer considered fashionable.

Bergfried / tower of the Falkenstein castle, Orwochrom UT18

Bergfried / tower of the Falkenstein castle, Orwochrom UT18

Austrians (or rather Europe’s Catholics) defeated the bad guys at Lutzen in Saxony, though it took Peter I and Sweden’s reckless war with Russia to put the end to that menace (from the Central European perspective and that’s the one I am writing from).  For over a century   Falkenstein  castle stood damaged by war but still pretty much intact though empty.  Bats, ghosts of Anabaptists and other heretics, this sort of thing. By then living in fortified castles was considered archaic. You were perceived as a dinosaur if you lived in one.   The burg’s owners – and the castle was and still is in private possession – decided to use the complex of structures as a source of income by converting it to a man-made repository of building stone.  So they broke the castle for construction materials but the structure was big and well-built like early medieval castles tended to be and so probably over a half of it survived to this day.  Some 200 years later, in  the 1990s the owners – helped by a local initiative – began cleaning the place up and then opened it museum-like to the public.  It is a beautiful and considering its history both an inspiring and a haunting place, which   certainly is  worth a visit.

When you enter the ruins you’ll see  is a real Mediterranean galley in the the court yard.   It was put there to commemorate the Anabaptists (Mennonites) who against their will were shipped off as galley slaves to the Adriatic to fight the Turks .

Because I shot more than one roll of Orwochrom at the Falkenstein ruins, I am going to post more images of the castle remnants at some point later and will make a separate entry  about the fortified castle and the town below.  One entry might not be enough, so perhaps I’ll split it into two illustrated chapters.

Burgruine Falkenstein - ORWOchrom UT 18

Burgruine Falkenstein - ORWOchrom UT 18

A final Orwochrom note – I am about to buy 200 rolls of supposedly properly stored Orwochrom (exactly like this one but in 135 format) from a dealer in Moscow. If stuff is still workable, then I’ll be prepared to share this historic film, exchange and sell to those who can afford to buy it and are willing to experiment.

Links: Burgruine Falkenstein, Falkenstein Commune, Lower Austria , Niederösterreich, Austria

Orwochrome, Orwochrom

slide film